Nick Fox-Gieg / Installations

To her, it may seem that she's only painting circles on the ground. But from our privileged vantage point, we can see well enough where it's all going to lead....

This installation uses interactive techniques that I learned at STEIM; it runs on TroikaTronix's Isadora. A microphone measures the level of sound that people produce as they walk past, and a loud enough noise slows the pace at which the woman paints her bomb target.